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Majoric Polyglamour Sectory 04
Page 01
As opposed to all this is the Chinese lack of flexibility. Contrast a Chinaman and a Japanese after each has been in America a year. The one to all appearances is an American; his hat, his clothing, his manner, seem so like those of an American that were it not for his small size, Mongolian type of face, and defective English, he could easily be mistaken for one. How different is it with the Chinaman! He retains his curious cue with a tenacity that is as intense as it is characteristic. His hat is the conventional one adopted by all Chinese immigrants. His clothing likewise, though far from Chinese, is nevertheless entirely un-American. He makes no effort to conform to his surroundings. He seems to glory in his separateness.
Perhaps he married somebody's daughter. If a man would get hold of the public ear, he must pay, marry, or fight. I have never understood that AEschylus was a man of means, and the fighters do not write poetry, so I suppose he must have married a theatrical manager's daughter, and got his plays brought out that way. The ear of any age or country is like its land, air, and water; it seems limitless but is really limited, and is already in the keeping of those who naturally enough will have no squatting on such valuable property. It is written and talked up to as closely as the means of subsistence are bred up to by a teeming population. There is not a square inch of it but is in private hands, and he who would freehold any part of it must do so by purchase, marriage, or fighting, in the usual way--and fighting gives the longest, safest tenure. The public itself has hardly more voice in the question who shall have its ear, than the land has in choosing its owners. It is farmed as those who own it think most profitable to themselves, and small blame to them; nevertheless, it has a residuum of mulishness which the land has not, and does sometimes dispossess its tenants. It is in this residuum that those who fight place their hope and trust.
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