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Majoric Polyglamour Sectory 03
Page 08
As in language, so in mythology, investigation has proceeded from, the known to the unknown--from the higher to the lower mythologies. In each step of the progress of opinion on this subject a particular phenomenon may be observed. As each lower status of mythology is discovered it is assumed to be the first in origin, the primordial mythology, and all lower but imperfectly understood mythologies are interpreted as degradations, from this assumed original belief; thus polytheism was interpreted as a degeneracy from monotheism; nature worship, from psychotheism; zooelotry, from ancestor worship; and, in order, monotheism has been held to be the original mythology, then polytheism, then physitheism or nature worship, then ancestor worship.
It is almost impossible to convey in words an idea of the quickness and graceful address of her movements: they may indeed be termed aerial, as she seems merely to touch in her progress the branches among which she exhibits her evolutions. In these feats her hands and arms are the sole organs of locomotion, her body, hanging as if suspended by a rope, sustained by one hand (the right, for example), she launches herself, by an energetic movement, to a distant branch, which she catches with the left hand; but her hold is less than momentary; the impulse for the next launch is acquired; the branch then aimed at is attained by the right hand again, and quitted instantaneously, and so on, in alternate succession. In this manner spaces of twelve and eighteen feet are cleared, with the greatest ease and uninterruptedly, for hours together, without the slightest appearance of fatigue being manifested; and it is evident that, if more space could be allowed, distances very greatly exceeding eighteen feet would be as easily cleared; so that Duvaucel's assertion that he has seen these animals launch themselves from one branch to another, forty feet asunder, startling as it is, may be well credited. Sometimes, on seizing a branch in her progress, she will throw herself, by the power of one arm only, completely round it, making a revolution with such rapidity as almost to deceive the eye, and continue her progress with undiminished velocity. It is singular to observe how suddenly this Gibbon can stop, when the impetus giving by the rapidity and distance of her swinging leaps would seem to require a gradual abatement of her movements. In the very midst of her flight a branch is seized, the body raised, and she is seen, as if by magic, quietly seated on it, grasping it with her feet. As suddenly she again throws herself into action.
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