|
|
Majoric Polyglamour Sectory 03
Page 07
The third and last main stage of the palaeolithic epoch developed by degrees into a golden age of art. But I cannot dwell on all its glories. I must pass by the beautiful work in flint; such as the thin blades of laurel-leaf pattern, fairly common in France but rare in England, belonging to the stage or type of culture known as the Solutrian (from Solutre in the department of Saone-et-Loire). I must also pass by the exquisite French examples of the carvings or engravings of bone and ivory; a single engraving of a horse's head, from the cave at Creswell Crags in Derbyshire, being all that England has to offer in this line. Any good museum can show you specimens or models of these delightful objects; whereas the things about which I am going to speak must remain hidden away for ever where their makers left them--I mean the paintings and engravings on the walls of the French and Spanish caves.
How curious is the structure of the nest of the Bullfinch or Chaffinch! The inside of it is lined with cotton and fine silken threads; and the outside cannot be sufficiently admired, though it is composed only of various kinds of fine moss. The color of these mosses, resembling that of the bark of the tree in which the nest is built, proves that the bird intended it should not be easily discovered. In some nests, hair, wool, and rushes are cleverly interwoven. In others, the parts are firmly fastened by a thread, which the bird makes of hemp, wool, hair, or, more commonly, of spiders' webs. Other birds--as, for instance, the blackbird and the lapwing--after they have constructed their nests, plaster the inside with mortar; they then stick upon it, while quite wet, some wool or moss to give warmth; but all alike construct their nests so as to add to their security.
|
